Beethoven’s Final Sonata Opus 111 Notes by Margaret Scialdone After completing his 32nd and final piano sonata, Beethoven is said to have made the astonishing remark that the piano is “after all, an unsatisfactory instrument”. This work does indeed strain the limits of both piano and performer, the latter spiritually as well as technically. The […]
Beethoven’s humor—“The Test of Kisses” Notes by Fred Haight This song, “Prüfung des Küssens, WoO 89” (The Test of Kissing), was composed between 1790–1791, for Bonn’s Electoral singer, Joseph Lux. It is for a bass and orchestra. The author of the text is unknown, but this song, in the Italian opera buffa style, is skillfully […]
Beethoven : Creatures of Prometheus Notes by Margaret Scialdone In 1801 the ballet master Salvatore Viganó was commanded to prepare a performance for Empress Maria Theresa. He chose the subject of Prometheus giving science and the arts to Mankind, and turned to Beethoven to compose a score for his libretto. “Creatures of Prometheus” is Beethoven’s […]
Goethe and Beethoven: “Getting Along with Girls” Notes by Fred Haight The Classics are often associated with imagery of stuffy-old-white-male who have nothing relatable for the contemporary youth generation. We beg to differ. Goethe’s Mit Mädeln sich Vertragen (Getting Along with Girls), written in 1787, is a poem that makes hilarious fun of the “machismo” […]
Beethoven’s Sense of Humor Part 2: “To beat, or not to beat.” Notes By Fred Haight In part 1 of Beethoven’s humor, we wrote about “Rage of a Lost Penny”. Today, we talk about the humor in Beethoven’s 8th symphony. Johann Nepomuk Maelzel tried his hand at Artificial Intelligence about two centuries ago. It did […]
Beethoven’s Sense of Humor by Fred Haight No-one is quite sure what the story is behind Rage Over a Lost Penny. But Beethoven seems to be making fun of those who obsess over the trivial. Listen and tell us what you think!
Happy Veterans Day! – Beethoven – 5 Military Marches Notes by Margaret Scialdone Although not known as a composer of military band music, Beethoven composed a number of military marches, usually commissioned for special occasions. In honor of Veterans’ Day, we present five of Beethoven’s marches for military band, dating from 1787 to 1816.
The Third Symphony’s Finale: Creativity, and Heroic Humor Notes by Fred Haight In two recent episodes of Daily Doses of Beethoven, we examined the monumental first movement of Beethoven’s Symphony No. 3 “Eroica”, which addresses the idea of a hero—a world-historic figure. We also heard his epic second movement, a Funeral March, expressing the loss […]
The Funeral March of the Third Symphony “Eroica” Notes by Fred Haight Previously, we presented the first movement of Beethoven’s Symphony No. 3, “The Eroica” (Heroic). Today, we present the second movement, “The Funeral March”. What does a funeral march have to do with the joyous celebration of creativity and courage that we heard in […]
Beethoven and the Heroic Part 4: The Egmont Overture Notes by Fred Haight Part 4: The Egmont Overture The cause of human liberty and freedom led political discussion around the late 18th-early 19th century, and the poets Goethe and Schiller collaborated to tell the story of Switzerland’s fight for freedom. In his play Wilhelm Tell, […]