A Tribute to John F. Kennedy

[no_toc]The Schiller Institute Chorus, augmented by additional singers and an orchestra largely comprised of volunteers from the New England Conservatory of Music, presented Mozart’s Requiem in its entirety to an audience of 1,200 at Boston’s Cathedral of the Holy Cross, performed exactly 50 years to the day, of a 1964 Solemn High Requiem Mass specially requested by the Kennedy family. Below you will find all information pertaining to the tribute and performance, well as the complete audio master and edited video recording.

Video


 

Audio

You can hear and download the final audio master of the entire performance and tribute here (updated 03/04/2014).

Download

High-Quality Files, Track-Seperated:  MP3 ZIP Archive   WAV ZIP Archive

 

Program Overview

Master of ceremonies: Matthew Ogden
Guest speaker: Ray Flynn, former Mayor of Boston and former US ambassador to the Vatican
Featured speaker: Helga Zepp-LaRouche, President of the Schiller Institute

Greeting messages from Michael D. Higgins, President of the Republic of Ireland; Boston City Councilman Steven Murphy; and from Nicholas Di Virgilio, tenor, the only surviving soloist from the 1964 concert (see texts below).

W.A. Mozart, Requiem in D minor
Conducted by John Sigerson at A=432Hz
With Ron Williams (baritone), William Ferguson (tenor), Heather Gallagher (mezzo-soprano) and Nataly Wickham (soprano); the Schiller Institute Choir; and a specially-assembled orchestra

 


It is urgent to evoke again the divine spirit of beauty of Mozart’s composition in order to recreate in us the better world which both Kennedy and Mozart represent.

— <strong>Helga Zepp-LaRouche</strong>, President of the Schiller Institute


Any true artist — like any true great poet — has to have the entire wellbeing not just of his own country, but of the world at heart, and not just the wellbeing, but a commitment to the improvement of the wellbeing of the entire world. I think that that’s what Kennedy’s commitment was as well. I think that is why he resonated with so many of the great artists of the time.

— <strong>John Sigerson</strong>, Conductor


This was a tribute like no other, because you really felt you were in the presence of Kennedy, and the Kennedy legacy, and what he meant for Boston.

— <strong>Ray Flynn</strong>, Former Boston Mayor and Former Vatican Ambassador



If sometimes our great artists have been the most critical of our society, it is because their sensitivity and their concern for justice, which must motivate any true artist, makes him aware that our nation falls short of its highest potential.

— <strong>John F. Kennedy</strong>, President of the United States of America, 1963

 

Setting the Stage






 

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