{"id":71244,"date":"2021-03-29T08:31:16","date_gmt":"2021-03-29T12:31:16","guid":{"rendered":"https:\/\/schillerinstitute.com\/?p=71244"},"modified":"2021-03-29T08:31:18","modified_gmt":"2021-03-29T12:31:18","slug":"beethoven-sparks-of-joy-41","status":"publish","type":"post","link":"https:\/\/2.schillermeet.de\/de\/blog\/2021\/03\/29\/beethoven-sparks-of-joy-41\/","title":{"rendered":"Beethoven: Sparks of Joy!"},"content":{"rendered":"\n<p class=\"has-medium-font-size wp-block-paragraph\"><strong>Beethoven: Sparks of Joy &#8211; Opus 9, no. 3, string trio: Foreshadows Later Great Works<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The third of the Opus 9 string trios is a masterwork in C-minor, the tonality associated with some of Beethoven&#8217;s most dramatic works (think of the &#8222;Path\u00e9tique&#8220; and Opus 111 piano sonatas, for example).<br>This is Beethoven&#8217;s farewell to the string trio.  After 1798 he would begin working on string quartets, a genre which would bear fruits throughout the rest of his life.<br>The Opus 9 no. 3 is played with great musicality by the <em>Camerata Pacifica<\/em>. [Notes by Margaret Scialdone.]<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n <iframe loading=\"lazy\" title=\"Beethoven \u2014 String Trio in C Minor, Op. 9, N\u00ba. 3\" width=\"860\" height=\"484\" src=\"https:\/\/www.youtube.com\/embed\/CPLsT4gUfTo?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>Beethoven: Sparks of Joy &#8211; Opus 9, no. 3, string trio: Foreshadows Later Great Works The third of the Opus 9 string trios is a masterwork in C-minor, the tonality associated with some of Beethoven&#8217;s most dramatic works (think of the &#8222;Path\u00e9tique&#8220; and Opus 111 piano sonatas, for example).This is Beethoven&#8217;s farewell to the string [&hellip;]<\/p>\n","protected":false},"author":37,"featured_media":63774,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[625,505,509],"tags":[842],"class_list":["post-71244","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-daily-beethoven-sparks-of-joy","category-updates","category-updates-music","tag-lang-en"],"_links":{"self":[{"href":"https:\/\/2.schillermeet.de\/de\/wp-json\/wp\/v2\/posts\/71244","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/2.schillermeet.de\/de\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/2.schillermeet.de\/de\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/2.schillermeet.de\/de\/wp-json\/wp\/v2\/users\/37"}],"replies":[{"embeddable":true,"href":"https:\/\/2.schillermeet.de\/de\/wp-json\/wp\/v2\/comments?post=71244"}],"version-history":[{"count":2,"href":"https:\/\/2.schillermeet.de\/de\/wp-json\/wp\/v2\/posts\/71244\/revisions"}],"predecessor-version":[{"id":71246,"href":"https:\/\/2.schillermeet.de\/de\/wp-json\/wp\/v2\/posts\/71244\/revisions\/71246"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/2.schillermeet.de\/de\/wp-json\/wp\/v2\/media\/63774"}],"wp:attachment":[{"href":"https:\/\/2.schillermeet.de\/de\/wp-json\/wp\/v2\/media?parent=71244"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/2.schillermeet.de\/de\/wp-json\/wp\/v2\/categories?post=71244"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/2.schillermeet.de\/de\/wp-json\/wp\/v2\/tags?post=71244"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}