{"id":68267,"date":"2021-02-10T06:09:41","date_gmt":"2021-02-10T11:09:41","guid":{"rendered":"https:\/\/schillerinstitute.com\/?p=68267"},"modified":"2021-02-10T06:09:43","modified_gmt":"2021-02-10T11:09:43","slug":"beethoven-sparks-of-joy-10","status":"publish","type":"post","link":"https:\/\/2.schillermeet.de\/de\/blog\/2021\/02\/10\/beethoven-sparks-of-joy-10\/","title":{"rendered":"Beethoven: Sparks of Joy"},"content":{"rendered":"\n<p class=\"has-medium-font-size wp-block-paragraph\">Beethoven&#8217;s &#8222;Tempest,&#8220; Opus 31 #2 in D-minor.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">We come to one of the greatest sonatas in the entire repertoire, the Opus 31 #2 in D-minor, nicknamed \u201cThe Tempest\u201d. From the unsettling eerieness of the opening movement, to the marvelous , orchestra-like setting of the Adagio second movement, and then the \u201cmoto perpetuo\u201d Allegretto at the close, this sonata is riveting throughout.\u00a0<br>The technical demands of this sonata place are overshadowed by its interpretive challenges, so really great performances are hard to come by.\u00a0 [Notes by Margaret Scialdone.]<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">We\u2019ve selected this one by\u00a0 Daniel Barenboim:<\/p>\n\n\n\n<figure class=\"wp-block-embed-youtube wp-block-embed is-type-video is-provider-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n <iframe loading=\"lazy\" title=\"Beethoven | Piano Sonata No. 17 in D minor, &quot;The Tempest&quot; | Daniel Barenboim\" width=\"860\" height=\"484\" src=\"https:\/\/www.youtube.com\/embed\/tiJjoFQtMvg?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>Beethoven&#8217;s &#8222;Tempest,&#8220; Opus 31 #2 in D-minor. We come to one of the greatest sonatas in the entire repertoire, the Opus 31 #2 in D-minor, nicknamed \u201cThe Tempest\u201d. From the unsettling eerieness of the opening movement, to the marvelous , orchestra-like setting of the Adagio second movement, and then the \u201cmoto perpetuo\u201d Allegretto at the [&hellip;]<\/p>\n","protected":false},"author":37,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[625,509],"tags":[842],"class_list":["post-68267","post","type-post","status-publish","format-standard","hentry","category-daily-beethoven-sparks-of-joy","category-updates-music","tag-lang-en"],"_links":{"self":[{"href":"https:\/\/2.schillermeet.de\/de\/wp-json\/wp\/v2\/posts\/68267","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/2.schillermeet.de\/de\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/2.schillermeet.de\/de\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/2.schillermeet.de\/de\/wp-json\/wp\/v2\/users\/37"}],"replies":[{"embeddable":true,"href":"https:\/\/2.schillermeet.de\/de\/wp-json\/wp\/v2\/comments?post=68267"}],"version-history":[{"count":1,"href":"https:\/\/2.schillermeet.de\/de\/wp-json\/wp\/v2\/posts\/68267\/revisions"}],"predecessor-version":[{"id":68268,"href":"https:\/\/2.schillermeet.de\/de\/wp-json\/wp\/v2\/posts\/68267\/revisions\/68268"}],"wp:attachment":[{"href":"https:\/\/2.schillermeet.de\/de\/wp-json\/wp\/v2\/media?parent=68267"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/2.schillermeet.de\/de\/wp-json\/wp\/v2\/categories?post=68267"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/2.schillermeet.de\/de\/wp-json\/wp\/v2\/tags?post=68267"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}