Beethoven, Mozart, Bach: A Musical Dialogue.<\/p>\n\n\n\n
We continue the investigation of the C-minor dialogue with Bach\u2019s Ricercar \u00e0 6 and Mozart\u2019s sonata K.457. When the elderly J.S. Bach visited his son who was court musician for Frederick II, the king presented the elder Bach with a difficult theme, and challenged him to improvise a three-part and then a six-part fugue. Bach created the 3-part fugue on the spot, but declined the 6-part pending further study. Two months later, Bach sent the king the two-volume \u201cMusical Offering\u201d in which the theme is subjected to every possible permutation in the form of ten\u00a0 different canons, two ricercars, and a trio sonata!\u00a0
After studying the Musical Offering, Mozart composed his C-minor sonata and later the Fantasy (which we heard yesterday) in which he demonstrated the principles used in composing the sonata.\u00a0
In the next days, we’ll see how this theme was developed by Beethoven and Schubert. [Notes by Margaret Scialdone.]<\/p>\n\n\n\n
We hear the Ricercar a 6 played by Daniel Martyn Lewis.<\/p>\n\n\n\n