{"id":64632,"date":"2020-11-21T23:39:00","date_gmt":"2020-11-22T04:39:00","guid":{"rendered":"https:\/\/schillerinstitute.com\/?p=64632"},"modified":"2020-11-22T23:40:51","modified_gmt":"2020-11-23T04:40:51","slug":"beethoven-sparks-of-joy-no-16","status":"publish","type":"post","link":"https:\/\/2.schillermeet.de\/de\/blog\/2020\/11\/21\/beethoven-sparks-of-joy-no-16\/","title":{"rendered":"Beethoven: Sparks of Joy &#8211; No. 16"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\"><strong>Beethoven\u2019s humor\u2014\u201cThe Test of Kisses\u201d   <br>Notes by Fred Haight   <\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">This song, \u201cPr\u00fcfung des K\u00fcssens, WoO 89\u201d (The Test of Kissing), was composed between 1790\u20131791, for Bonn\u2019s Electoral singer, Joseph Lux. It is for a bass and orchestra. The author of the text is unknown, but this song, in the Italian opera buffa style, is skillfully orchestrated and full of humor.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The text tells of a &#8222;wise&#8220; mother who instructs her son that to kiss is a sin. The boy does not agree because he gets them free from Doris, and things seem to be fine. They may, however, lead to other woes.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The orchestration is through-composed. There is a surprising amount of variety in the work, including three tempo changes and a shift from 4\/4 to 2\/2 meter. The orchestra stands independent of the vocal area and doubling the singer only at particular moments such as cadences.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">TEXT:<br>Meine weise Mutter spricht<br>Meine weise Mutter spricht:<br>K\u00fcssen, K\u00fcssen, Kind! ist S\u00fcnde!<br>Und ich armer S\u00fcnder finde,<br>Doch das Ding so b\u00f6se nicht.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Mord und Diebstahl, wei\u00df ich wohl,<br>Ist ein schreckliches Vergehen<br>Aber, trotz, den will ich sehen,<br>Der mich das beweisen soll.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Meine K\u00fcsse stehl&#8216; ich nicht:<br>Doris gibt von freien St\u00fccken,<br>Und ich seh&#8217;s an ihren Blicken,<br>Da\u00df ihr wenig Leid geschicht.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Oft begiebt es sich, da\u00df wir<br>Uns, vor Lust, die Lippen bei\u00dfen:<br>Aber soll das Morden hei\u00dfen?<br>Gott bewahre mich daf\u00fcr!<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Mutter! Mutter! Schm\u00e4herei!<br>S\u00fcnd&#8216; ist K\u00fcssen? Ist es eine;<br>Nun, ich armer S\u00fcnder meine,<br>Da\u00df sie nicht zu lassen se<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">TRANSLATION:<br>My wise mother speaks<br>My wise mother says:<br>Kissing, kissing, child, is a sin!<br>Though I do not find the poor sinner<br>As bad as the thing itself<br>Murder and theft, I know<br>Are terrible offenses<br>But in spite of that I want to see<br>It proven it to me.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">I do not steal my kisses:<br>Doris gives of her own free will,<br>And I see it in her looks<br>That she has little suffering.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">It often happens that we<br>Bite our lips with lust:<br>But should that be called murder?<br>God keep me from that!<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Mother! Mother! Abuse!<br>Sin is kissing? They are one;<br>I mean, this poor sinner of mine,<br>Should she even be allowed!<\/p>\n\n\n\n<figure class=\"wp-block-embed-youtube wp-block-embed is-type-video is-provider-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\nhttps:\/\/www.youtube.com\/watch?v=hXKtoZ38sbQ&#038;feature=youtu.be\n<\/div><figcaption><strong>&#8222;Pr\u00fcfung des K\u00fcssens&#8220; (&#8222;Examen de los besos&#8220;), aria para bajo y orquesta, WoO 89. L. van Beethoven<\/strong><\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>Beethoven\u2019s humor\u2014\u201cThe Test of Kisses\u201d Notes by Fred Haight This song, \u201cPr\u00fcfung des K\u00fcssens, WoO 89\u201d (The Test of Kissing), was composed between 1790\u20131791, for Bonn\u2019s Electoral singer, Joseph Lux. It is for a bass and orchestra. The author of the text is unknown, but this song, in the Italian opera buffa style, is skillfully [&hellip;]<\/p>\n","protected":false},"author":35,"featured_media":63774,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[34,625,1,509],"tags":[616,617,618],"class_list":["post-64632","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-updates-culture","category-daily-beethoven-sparks-of-joy","category-allgemein","category-updates-music","tag-beethoven","tag-culture","tag-music"],"_links":{"self":[{"href":"https:\/\/2.schillermeet.de\/de\/wp-json\/wp\/v2\/posts\/64632","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/2.schillermeet.de\/de\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/2.schillermeet.de\/de\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/2.schillermeet.de\/de\/wp-json\/wp\/v2\/users\/35"}],"replies":[{"embeddable":true,"href":"https:\/\/2.schillermeet.de\/de\/wp-json\/wp\/v2\/comments?post=64632"}],"version-history":[{"count":1,"href":"https:\/\/2.schillermeet.de\/de\/wp-json\/wp\/v2\/posts\/64632\/revisions"}],"predecessor-version":[{"id":64633,"href":"https:\/\/2.schillermeet.de\/de\/wp-json\/wp\/v2\/posts\/64632\/revisions\/64633"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/2.schillermeet.de\/de\/wp-json\/wp\/v2\/media\/63774"}],"wp:attachment":[{"href":"https:\/\/2.schillermeet.de\/de\/wp-json\/wp\/v2\/media?parent=64632"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/2.schillermeet.de\/de\/wp-json\/wp\/v2\/categories?post=64632"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/2.schillermeet.de\/de\/wp-json\/wp\/v2\/tags?post=64632"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}